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Thursday, April 29, 2021

12:30 – 1:45 PM

JULIA DIXON EVANS FICTION WRITER/NOVELIST

San Diego author, short story writer, and columnist, Julia Dixon Evans joins the Literary Arts Festival for a reading of fiction, including excerpts from her debut novel, How to Set Yourself on Fire (Danzc 2019), described by Booklist as a hard-to-put-down, "refreshingly realistic and quirky novel" and extolled by Karen Rigby of Foreword Reviews as "a brooding tale of memory, emotional malaise, grief, and voyeurism….This unsettling exploration of a troubled mind braids passion with stagnation, and the power of family ties with the need to evade them."

image photo credit: Nelwyn Del Frate

image photo credit: Nelwyn Del FrateABOUT THE AUTHOR

Considered for "Best of the Net" and twice nominated for the Pushcart Prize, Dixon Evans’s short fiction is widely published in such journals as Hobart, Monkeybicycle, Noble/Gas Qtrly, ѳɱԱ’s, Paper Darts, New York Tyrant/Tyrant Books, Barrelhouse, Literary Hub, Pithead Chapel, Paper Darts, Flapperhouse, and others. Her short story, "Fiddle De Dee," was longlisted in 2013 for Ellen Datlow's "Best of Horror," and she is also a recipient of the 2019 National Magazine Award for Fiction.

In addition to her former roles as Editor and Program Director for the nonprofit literary arts consortium, So Say We All, Julia Dixon Evans has served as Nonfiction Editor for Noble / Gas Qrtrly, host of The Foundry reading series, founding editor and host of Last  Exit literary journal/reading/workshop series, and Senior Columns Editor for The Coil.  A former oboist in the La Jolla Symphony, she has taught creative writing to ARTS’ TranscenDANCE youth dancers and is a 2014 PEN in the Community resident. Her arts and cultures articles can be found in Voice of San Diego’s Culture Report, San Diego Home/Garden Lifestyles, the A.V. Club, Lit Hub, San Diego CityBeat, and others. 

 

Julia Dixon Evans currently resides in San Diego and produces and edits the KPBS/Arts Calendar and writes for its newsletter.

BOOKS

Julia Dixon Evans, How to Set Yourself on Fire

 

How to Set Yourself on Fire. Dzanc Books, 2018. ISBN: 978-1945814501


LINKS AND RESOURCES

  • Danzc Books:
  • Facebook:  
  • Instagram:
  • Official author website:
  • Twitter:  

SELECTED FICTION

  • “Aܳٴdz.” Broad! Summer 2015. (Pushcart Prize nominee)  
  • “Beth in Her Swimsuit.” Pithead Chapel vol. 6, no. 3. (nominated for the 2017 Best of the Net)  
  • “BԻ.”&Բ; no. 14 (Summer 2017).  
  • “Dogs Are Born Hungry.” Storychord no. 143 (3 July 2017).   
  • “Every Living Thing in the Desert is Afraid.” Hairstreak Butterfly Review no. 1 (Summer 2018)  
  • “Ghost Stories.” Monkeybicycle October 2018.
  • How To Set Yourself on Fire. Excerpt and interview. The Other Stories #157 (2 May 2018).
  • “Leona Never Happened.” Hobart: Another Literary Journal 16 July 2014.
  • “Nineteen Things Only People Who Are Not Going to Survive The Hour Will Understand.” Monkeybicycle 23 March 2015. (Pushcart Prize nominee; 2015 Best of the Net Anthology nominee)
  • “Six Mothers.” Matchbook Literary Magazine January 2017.  
  • “Vinegar on the Lips of Girls.” ѳɱԱ’s no. 53.

SELECTED NONFICTION

  • “Playing Baseball Mediocrely But Playing Baseball With Pure Joy.” Hobart 14 April 2017.
  • “When the Wildfires of Your Novel Come to Life Around You,” Lit Hub 25 April 2018.  

POETRY

  • “An Offertory, On A Small Court,” Hobart 13 June 2016. https://www.hobartpulp.com/web_features/an-offertory-on-a-small-court
  • “An Uncareful Mathematician Would Always Mistake This For Love.” Hobart 27 November 2015.

BIBLIOGRAPIES

  • Muckrack:
  • San Diego Home and Garden:  

WRITINGS ABOUT JULIA DIXON EVANS

  • Baird, Susanna. "Julia Dixon Evans, Channeling Points of View for How to Set Yourself on Fire." Review. Spine Magazine 24 October 2018.

  • Davidson, Denise. "Spring Arts 2018: Meet Author Julia Dixon Evans." Interview. San Diego Union-Tribune 25 March 2018.

  • "Interview: Julia Dixon Evans, Author of How to Set Yourself On Fire." Shelf Media Group 7 July 2019.

  • "Reading with... Julia Dixon Evans." Interview. Shelf-Awareness 15 July 2018.  

    Stefano, Karen. "Julia Dixon Evans Interview." Connotation Press vol. 10, no. 6 (July 2019).

SELECTED MEDIA

  • "A Conversation with Writer Julia Dixon Evans." Podcast. Keep the Channel Open Ep. 89 22 May 2019 (Recorded 22 April 2019). Runtime: 1hr.
  • Keep the Channel Open Podcast. "A Conversation with Writer Julia Dixon Evans." Ep. 89 22 (Recorded 22 April 2019). YouTube. Posted 22 May 2019. Runtime: 1hr.
  • Stefano, Karen. "In Conversation with Julia Dixon Evans." Interview. Rare Bird Studio 2019. Runtime: 40m.

Thursday, April 29, 2021

7:00 – 8:15 PM

CARL PHILLIPS POET AND LITERARY CRITIC

WACC logoThis event is supported in part by a grant it has received from WACC, the World Arts and Cultures Committee of ڰAPP.

 

photo credit: © Reston Allen (Shipman Agency)

photo credit: © Reston Allen (Shipman Agency)

The 25th Anniversary Literary Arts Festival is proud to feature as its finale one of the most influential living American writers of lyrical poetry: the internationally celebrated and critically acclaimed Carl Phillips, who will give a reading from Pale Colors in a Tall Field (Harper 2020), his most recent collection credited by Troy Jollimore of The Washington Post as one of Phillips’s best: "Almost no one, to my ear, charts the perpetually shifting moods and meanings of the interior psychic landscape as sensitively, or as beautifully, as he does. This book is one of his finest, an intoxicating cocktail of passion mixed with tentativeness, precision mixed with ambiguity, that trains our attention on the intimations of the divine that are frequently hidden in everyday landscapes and encounters." Publishers Weekly praises Phillips's poems as "filled with longing and a sense of the poet wrestling with himself, [and which] are made up of reflections... While Phillips is enigmatic in these poems, he is never coy, conjuring a rich intellectual and felt life on the page for the reader."

 

In addition to his two volumes of literary criticism on the subject of poetry, Phillips has authored fourteen collections of poems, including Silverchest (2013), nominated for the Griffin Prize; Double Shadow (2011), winner of Los Angeles Times Book Prize for Poetry and finalist for the National Book Award; Speak Low (2009), finalist for the National Book Award; and, his debut collection, In the Blood (1992), the winner of the Samuel French Morse Poetry Prize. Phillips's other numerous other accolades include the Kingsley Tufts Poetry Award, the Theodore Roethke Memorial Foundation Poetry Award, the Thom Gunn Award for Gay Male Poetry, an award in literature from the American Academy of Arts and Letters, and fellowships from the Guggenheim Foundation, the Library of Congress, and the Academy of American Poets, to which he served as Chancellor from 2006 to 2012.

ABOUT THE AUTHOR

Carl Phillips entered Harvard University on a scholarship, where he studied Latin and Greek, and in he graduated with a B.A. in Classics. He received his 1983 Master's in Latin and Classical Humanities from University of Massachusetts at Amherst, returning afterward to Harvard to pursue a doctorate in classical philology. However, in 1990, while coming to terms with sexuality, he rediscovered his poetic voice, preempted his doctorate, and entered Boston University to pursue a Master of Arts in Creative Writing. During these eight years, Phillips continued to teach high school Latin courses. Since 2001, Carl Phillips has served as the judge for the Yale Series of Younger Poets, along with other black poets such as Major Jackson, Tracy K. Smith, and Natasha Trethewey, is an important affiliate of the Dark Room Collective, an intergenerational reading series formed after the funeral of James Baldwin in 1987, to cultivate the work of black poets of various aesthetic movements.

 

More recently, activated by the Black Lives Matters movement and its call to end system injustice against black bodies, Phillips has begun to examine in his work how hard it is for black and queer writers to avoid political discourse in their work when they are living in the daily, unremitting fear of being hunted because of their color and race. "Swear It," a poem written and performed by Phillips on Twitter in response to the national crisis created by the death of George Floyd, took social media by storm in summer of 2020. 

 

Of his own queerness, Phillips states in an interview for NPR's Cut & Paste blog, "As an openly gay man, I think everything in my life—including my writing—is queer at some level. Everything I do is necessarily a reflection of my sensibility, of who I am inside. But having said that, I also believe that queerness is only one aspect of identity. There’s gender, there’s race, there’s nationality, regionality, the degree to which one is or isn’t a sports fan, a foodie, etc. ...The same goes for how queerness works in the poems. And always, when I write of these subjects, it’s through my sensibility as a queer man, that’s always the context. To say that these aren’t queer subjects is reductive and demeaning. Why should we assume that our queerness is grounded entirely in sex? Surely queerness is as multifaceted as being human, itself—queerness is a manifestation of being human." This philosophy is borne out time and again in Phillips's poetry throughout which there is a through-line of existential questioning into his own life of gay love, desire, lust and, ultimately, spiritual connectedness. 

 

Currently, Carl Phillips holds the title of Professor of English and Creative Writing at Washington University in St. Louis, where, in addition to teaching contemporary poetry and poetry writing, he continues study classical philology and the history of prosody in English. 

POETRY&Բ;​

ǰè. Graywolf Press, 2002. ISBN: 978-1555972301

Carl Phillips, Speak Low. Carl Phillips, Speak Low.

Double Shadow. Farrar, Straus and Giroux; First Edition, 2011. ISBN: 978-0374141578

From the Devotions. Graywolf Press, 2002. ISBN: 978-1555972639

Carl Phillips, Speak Low. Carl Phillips, Speak Low.

In The Blood. Northeastern University Press, 1992. ISBN: 978-1555531355

Pale Colors in a Tall Field. Farrar, Straus and Giroux, 2021. ISBN: 978-0374539351

Carl Phillips, Speak Low. Carl Phillips, Speak Low.

Pastoral. Graywolf Press, 2002. ISBN: 978-1555972981

Quiver of Arrows: Selected Poems 1986-2006. FSG Adult, 2007. ISBN: 978-0374530785

Carl Phillips, Speak Low. Carl Phillips, Speak Low.

Reconnaissance. Farrar, Straus and Giroux, 2016. ISBN: 978-0374536558

The Rest of Love. Farrar, Straus and Giroux, 2004. ISBN: 978-0374249533

Carl Phillips, Speak Low. Carl Phillips, Speak Low.

Riding Westward. Farrar, Straus and Giroux, 2006. ISBN: 978-0374250034

Rock Harbor. Farrar, Straus and Giroux, 2003.) ISBN: 978-0374528850

Carl Phillips, Speak Low. Carl Phillips, Speak Low.

Silverchest. Farrar, Straus and Giroux 2014. ISBN: 978-0374534332

Speak Low. Farrar, Straus and Giroux, 2009.) ISBN: 978-0374267162

Carl Phillips, Speak Low. Carl Phillips, Speak Low.

The Tether. Farrar, Straus and Giroux, 2002. ISBN: 978-0374528454

Wild Is the Wind. Farrar, Straus and Giroux, 2019. ISBN: 978-0374538248

Carl Phillips, Wild Is the Wind.    

NONFICTION

TRANSLATIONS

Sophocles. Philectotes. Trans. Carl Phillips Oxford University Press, 2003. ISBN: 978-0195136579

Carl Phillips, Sophocles. Philectotes.    

EDITORSHIPS

Phillips, Carl, editor. Firsts: 100 Years of Yale Younger Poets. Yale University Press, 2019. ISBN: 978-0300243161

Carl Phillips, editor.  Firsts: 100 Years of Yale Younger Poets.    

CARL PHILLIPS'S CURRICULUM VITA

  • (includes full list of published works, awards, and honors)

LINKS AND RESOURCES

  • Washington University faculty page:
  • Yale Series of Younger Poets:
  • Poetry Foundation:
  • Academy of American Poets:
  • Twitter:
  • Instagram:  
  • Wikipedia:

SELECTED POEMS 

  • "Blue." Black Then 24 September 2020.  
  • "Crossing." Literary Hub 13 May 2019.  
  • "Darkening, Brightening." Verse Daily 2016.
  • "Wake Up." The American Poetry Review vol. 48, no. 2 (March/April 2019).
  • "Luna Moth." Poetry Out Loud.
  • "A Kind of Meadow." Poetry Out Loud.   
  • Nine Poems (“And If I Fall," "Dangerous Only When Disturbed," "My Monster," "Star Map With Action Figures," "Of the Rippling Surface," "Master and Slave," "My Bluest Shirt," "The Damned," "Late Empire" ). Virginia Quarterly Review.  
  • "Parable." New England Review vol. 35, no. 3 (2014).
  • "Rubicon." Shadowgraph Magazine vol. 1 (Winter 2014).
  • "Through An Opening." Poetry Society of America.  
  • "Vikings: A Poem." Los Angeles Review of Books 20 December 2020.

WRITINGS ABOUT CARL PHILLIPS (INTERVIEWS/REVIEWS) 

  • Baker David, Poetry Editor. "A Conversation with Carl Phillips." Kenyon Review 2007.  
  • Burnette, Ian. "A Conversation with Carl Phillips." The Adroit Journal no. 17 (Summer 2016).
  • Chiasson, Dan. "End of the Line: New Poems from Carl Phillips." Review. The New Yorker 8 April 2013.  
  • Greenwell, Garth. "Cruising Devotion: On Carl Phillips." The Sewanee Review vol. 128, no. 1 (Winter 2020).  
  • Jordan, A. Van. "Poet Carl Phillips." Interview. Shadowgraph Magazine vol. 1 (Winter 2014).  
  • Van Buren, Ann. "Interview with Carl Phillips." Katonah Poetry Series 11 November 2018.
  • "The Way Is Prayer—An Interview with Carl Phillips." Frontier Poetry 12 September 2019.
  • Rowell, Charles H. "An Interview with Carl Phillips." Callaloo: Johns Hopkins University Press vol. 21, no. 1 (Winter 1998).

SELECTED MEDIA

  • Colangelo, Gabrielle. "Carl Phillips: Creativity in Isolation and After." Beinecke Rare Book and Manuscript Library 19 May 2020.
  • "Craft Talk with Carl Phillips." Poets House. YouTube. Posted 01 October 2020. Runtime: 00:53:26.
  • The Life of a Poet: Carl Phillips. Interviewed by Ron Charles, Washington Post Fiction Editor. Library of Congress 6 February 2014. Runtime: 01:03:06.
  • "Swear It." Poem. Cut & Paste. Blog. Hosted by Jeremy D. Goodwin. St. Louis Public Radio 6 July 2020. Runtime: 00:00:41.
  • "Poets on Couches: Carl Phillips." Blog. (Carl Phillips reads Linda Gregg’s "It Is the Rising That I Love”). The Paris Review 20 April 2020.

Thursday, April 29, 2021